Sea Birds, Woodblock Reduction Print

I have been continuing my exploration of reduction printing. I have two other linoleum prints completed since my last posting. I also decided to try out the technique on wood, which is a little more luscious to work with than linoleum.

Rick got me some very nice woodblock plates for Christmas and I have some Japanese gouges that I have been using for years.

I decided to try something a little more simple this time, two colors only; light teal and dark purple. The image was also quite simple, some waves and a couple of sea birds. I printed it on some beautiful handmade Korean paper. It is wonderful to use and is almost transparent, but stands up well to the burnishing.

This one went pretty quickly and most of the run turned out well.

Available in my Etsy Shop

Winter at the Maison

Monotype Landscape #1

Winter this year so far has been extremely mild. Global warming has come to Montmirail. In our front garden we currently have a rose in bloom, and our Daphne plant, (which usually blooms first, but closer to the beginning of March) is in full bloom. Unless something changes soon, I think we will see Spring long before expected. Of course since it was significantly warmer in Antarctica this week than in our village, it’s clear that we can’t count on much these days.

One thing, however, that hasn’t changed, is the Maison Conti is currently very quiet. We have our days mostly to ourselves. I do appreciate being able to begin the new year with lots of time to experiment and indulge myself in my atelier. It sustains me for the year. A little winter hibernation is not a bad thing.

I have returned to printmaking experimentation. I spent a lot of time several years ago exploring monotypes. The process basically involves painting an image on a plate and printing it as a one-off. 9 out of 10 times I wasn’t so happy with the results, but the ones that did turn out well were very pleasing to me indeed. It’s a process with a lot of surprises.

Monotype Landscape #2

I have done many fewer etchings over the last few years than I did when we first set up the atelier at Maison Conti. I hope to get back to more of that as the year goes on. I finished my first effort in early January.

Chez Nous”, a line etching

I have also begun working on some relief prints. The difference between intaglio, like an etching, and relief, like linoleum or wood block printing, is that in a relief the part that is not meant to print is cut away, leaving the surface to be inked and printed. In Intaglio, the lines are incised into metal, using acid. The plate is inked but then wiped clean, leaving the ink only in the lines which print under the pressure of the press and the dampness of the paper. I have done very little relief printing in my life. The results are less detailed and fine, but can be lovely in their own way.

“Black Bird,” relief print cut from wood blocks, one block for each color.

“Versailles”, one color wood block print

Our little village is calm at this time of the year, but there are lots of ideas in the air to improve and grow the town. We have a new restaurant being planned, perhaps a bike rental and brewery, we have some crafts people moving in to town to open up their studios for visits, we have a new gift shop and many cultural events in the coming seasons.